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By combining raw-edge marble fragments with a translucent resin, the Fragment Series re-examines what we consider waste, producing a remarkable result that is unexpectedly light and ethereal.\u003c\/p\u003e\n\u003cp\u003eThe series, which includes stool, chair, and side table, is available in two colors. 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Discarded slabs of marble are combined with leftover materials from other projects to produce an intriguing study of materiality. 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The strong, geometric steel against the organic stone reveals an arresting juxtaposition of elements, simultaneously highlighting and questioning materiality. For Lee, the stone is the starting point for each piece and this is evident throughoutÑthe steel appears to have formed around the organic object, mimicking the natural construction of its counterpart.\u003c\/p\u003e\n\u003cp\u003eStone and steel both symbolize strength and structure however the process of their making is very different. Steel, forged by heat and human intervention, is often sleek and precise in its finished state. Stone however, could be regarded as the epitome of natural forms; it is carved by the elements over thousands of years. Bringing together these natural and artificial elements could easily appear incongruous but in LeeÕs work it is harmonious, with both elements appearing to strengthen one another. This unexpected balance also contributes to the structural integrity of the piecesÑthe stones provide weighted support, ensuring they stay grounded. 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The strong, geometric steel against the organic stone reveals an arresting juxtaposition of elements, simultaneously highlighting and questioning materiality. For Lee, the stone is the starting point for each piece and this is evident throughoutÑthe steel appears to have formed around the organic object, mimicking the natural construction of its counterpart.\u003c\/p\u003e\n\u003cp\u003eStone and steel both symbolize strength and structure however the process of their making is very different. Steel, forged by heat and human intervention, is often sleek and precise in its finished state. Stone however, could be regarded as the epitome of natural forms; it is carved by the elements over thousands of years. Bringing together these natural and artificial elements could easily appear incongruous but in LeeÕs work it is harmonious, with both elements appearing to strengthen one another. 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