I'm So Happy You Are Here: Japanese Women Photographers from the 1950s to Now
I'm So Happy You Are Here: Japanese Women Photographers from the 1950s to Now
A critical and celebratory counternarrative to what we know of Japanese photography today.
I'm So Happy You Are Here presents a much-needed counterpoint, complement, and challenge to historical precedents and the established canon of Japanese photography. This restorative history presents a wide range of photographic approaches brought to bear on the lived experiences and perspectives of women in Japanese society. Editors Pauline Vermare and Lesley A. Martin, curator and writer Takeuchi Mariko, and photo-historians Carrie Cushman and Kelly Midori McCormick provide a critical historical and contemporary framework for understanding the work in three richly illustrated essays. Additional context is provided by an in-depth illustrated bibliography by Marc Feustel and Russet Lederman, and a selection of key critical writings from leading Japanese curators, critics, and historians such as Kasahara Michiko, Fuku Noriko, and others, many of which will be published in translation for the first time. While this book does not claim to be fully comprehensive or encyclopedic, its goal is to provide a solid foundation for a more thorough conversation about the contributions of Japanese women to photography--and an indispensable resource for anyone interested in a more robust history of Japanese photography.
Made possible in partnership with the Rencontres d'Arles and Kering.
Binding Type: Hardcover
Author: Pauline Vermare, Lesley A. Martin (Editor), Takeuchi Mariko (Text by (Art/Photo Books))
Published: 09/17/2024
Publisher: Aperture
ISBN: 9781597115537
Pages: 440
Weight: 3.05lbs
Size: 11.20h x 8.50w x 1.10d
About the Author
Martin, Lesley A.: - Lesley A. Martin is executive director of Printed Matter. Previously, she was the creative director of Aperture, where she served as editor on more than one hundred fifty books on photography, and was the founding publisher of The PhotoBook Review.
Mariko, Takeuchi: -
Takeuchi Mariko is a photography critic, curator, and professor at Kyoto University of the Arts. Previously, she served as visiting researcher at the National Museum of Modern Art, Tokyo, and at the National Museum of Art, Osaka.
Cushman, Carrie: - Carrie Cushman is the Edith Dale Monson Gallery Director and Curator at the Hartford Art School. She holds a PhD in art history from Columbia University and is a specialist in postwar and contemporary art and photography from Japan. With Kelly Midori McCormick, she was principal investigator and codirector of the website Behind the Camera: Gender, Power, and Politics in the History of Japanese Photography.Et al...
8.50" L x 1.10" W x 11.20" H
This item ships parcel via UPS, FedEx, or DHL, and a signature is required for packages valued over $200. Large quantities, however, may ship using one of our trusted freight carriers, for which a delivery appointment will need to be scheduled.
Please contact help@trnk-nyc.com with any additional questions regarding shipping or delivery.
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A critical and celebratory counternarrative to what we know of Japanese photography today.
I'm So Happy You Are Here presents a much-needed counterpoint, complement, and challenge to historical precedents and the established canon of Japanese photography. This restorative history presents a wide range of photographic approaches brought to bear on the lived experiences and perspectives of women in Japanese society. Editors Pauline Vermare and Lesley A. Martin, curator and writer Takeuchi Mariko, and photo-historians Carrie Cushman and Kelly Midori McCormick provide a critical historical and contemporary framework for understanding the work in three richly illustrated essays. Additional context is provided by an in-depth illustrated bibliography by Marc Feustel and Russet Lederman, and a selection of key critical writings from leading Japanese curators, critics, and historians such as Kasahara Michiko, Fuku Noriko, and others, many of which will be published in translation for the first time. While this book does not claim to be fully comprehensive or encyclopedic, its goal is to provide a solid foundation for a more thorough conversation about the contributions of Japanese women to photography--and an indispensable resource for anyone interested in a more robust history of Japanese photography.
Made possible in partnership with the Rencontres d'Arles and Kering.
Binding Type: Hardcover
Author: Pauline Vermare, Lesley A. Martin (Editor), Takeuchi Mariko (Text by (Art/Photo Books))
Published: 09/17/2024
Publisher: Aperture
ISBN: 9781597115537
Pages: 440
Weight: 3.05lbs
Size: 11.20h x 8.50w x 1.10d
About the Author
Martin, Lesley A.: - Lesley A. Martin is executive director of Printed Matter. Previously, she was the creative director of Aperture, where she served as editor on more than one hundred fifty books on photography, and was the founding publisher of The PhotoBook Review.Mariko, Takeuchi: -
Takeuchi Mariko is a photography critic, curator, and professor at Kyoto University of the Arts. Previously, she served as visiting researcher at the National Museum of Modern Art, Tokyo, and at the National Museum of Art, Osaka.
Cushman, Carrie: - Carrie Cushman is the Edith Dale Monson Gallery Director and Curator at the Hartford Art School. She holds a PhD in art history from Columbia University and is a specialist in postwar and contemporary art and photography from Japan. With Kelly Midori McCormick, she was principal investigator and codirector of the website Behind the Camera: Gender, Power, and Politics in the History of Japanese Photography.Et al...
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8.50" L x 1.10" W x 11.20" H
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This item ships parcel via UPS, FedEx, or DHL, and a signature is required for packages valued over $200. Large quantities, however, may ship using one of our trusted freight carriers, for which a delivery appointment will need to be scheduled.
Please contact help@trnk-nyc.com with any additional questions regarding shipping or delivery.
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